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《没有人在乎》黎薇个展

2015-07-31 20:33:08 来源: 雅昌艺术网专稿

摘要: 黎薇没有人在乎NOBODYCARES 红砖美术馆荣幸地向您宣布:艺术家黎薇个展《没有人在乎》将于2015年08月22日在北京红砖美术馆开幕。届时,展览将会展出其最新作品《没有人在乎》,敬请期待。展览持续展出至2015年09月22日。 黎薇是一个剑走偏锋的艺术家,他时刻保持着艺术家的敏感与清醒。&l…

推荐关键字 黎薇 红砖美术馆

   黎薇 没有人在乎 NOBODY CARES

  红砖美术馆荣幸地向您宣布:艺术家黎薇个展《没有人在乎》将于2015年08月22日在北京红砖美术馆开幕。届时,展览将会展出其最新作品《没有人在乎》,敬请期待。展览持续展出至2015年09月22日。

  黎薇是一个剑走偏锋的艺术家,他时刻保持着艺术家的敏感与清醒。“质疑”是贯穿他历年来创作的主要线索,并借此深刻挖掘着人性之残酷。《合唱团》中的麻木少年们,除却浓妆艳抹的脸,残留的只有恍惚错觉与少年老成的尴尬。《ICU》中气若游丝、生命垂危的悲恸,完全令人无法平静。艺术家反思着社会意识形态带来的顽疾与苦楚,着力描摹着生不如死或与死相关的问题。

  《没有人在乎》:在点赞交际的时代,每个人在“朋友圈”扮演着所谓的在乎,实则并非由衷在乎。其中,我们既是无关者,又是当局者。冷漠看客已经变本加厉地出现在我们的世界,他们扮演者各种角色,尝试着各种属于他们自己的“攻略”,其实他们甚至连自己都不在乎。

  “黎薇经常把自己当成其他人,完全进入其他人的世界是一件非常困难的事,他以这样艰难笨拙的方式去试图猜测其他人的所有意识,他也以这样的方式认识世界,他认为人的问题是所有问题的根源,我们所能看到的一切悲剧,灾难,甚至连我们坐下吃饭,这最为普通的生活他都认为期间蕴含着绝望,他生活在中国这个特殊的地域,而是我同样认为,这是整个人类的问题”。

  “黎薇不放弃任何可以测试的机会,同时他几乎不设立任何障碍,在我们所认知的当代艺术中,很多作品需要大量的铺陈,冗赘的语言才可以从中略知一二,但是黎薇所运用的语言都是非常普通的东西,在他说来这是一种“人类的共同记忆”。“记忆是没有阶级的,因此相对公平。”他说。对于黎薇,最有意义的不是他做什么,而是他为什么去做。 ” - 节选自 Bernard Vizta

  “在现在的人类世界里,我看到的人几乎全都在装B。装B已经渗透到各种领域里,方式迥然不同,有装大爱无疆的,有装信仰至上的,有装愤怒青年的,有装文艺白领的,这是一种讨好的能力,也算是一种生存手段吧,此方式适合现在这个厚颜无耻的世界。反正我不太相信被大多数人喜欢的那类人。”黎薇的混不吝有目共睹,他的展览标题更是充满了对人类的质疑与讽刺。诸如:《空心人》、《英雄》、《忏悔室》、《感谢上帝》等。或者,可以组成这样一句话:“空心人英雄进忏悔室感谢上帝,然而却也并没有人在乎”。

  Text: T.C.

  Poster Designer:广煜

  文字版权所属:红砖美术馆

  主题:《没有人在乎》黎薇个展

  艺术家:黎 薇

  展期:2015.8.22 – 2015.9.22

  开幕:2015年8月22日 周六下午3:00

  主办:红砖美术馆

  赞助:艺琅国际

  地点:红砖美术馆(北京市朝阳区崔各庄乡何各庄)

  黎薇:

  1981年生于北京, 现工作生活于北京。

  个展:

  2015 《没有人在乎》,红砖美术馆,北京,中国

  2014 《平安》,马蕊乐画廊,米兰,意大利

  2013 《感谢上帝》,杨画廊,北京,中国

  《忏悔室》,A2Z艺术画廊,巴黎,法国

  2011 《英雄》,今日美术馆,北京,中国

  2010 《平安夜里不平安 - “一栋蛋糕”》 艺术项目,今日美术馆一层,重复咖啡/威士忌猫,北京,中国

  2009 《空心人》 ,世纪翰墨画廊,北京,中国

  红砖美术馆:

  由企业家暨收藏家闫士杰与曹梅夫妇所创办,于2014年5月 23日正式开馆。红砖美术馆位于北京市朝阳区东北部一号地国际艺术区,采中国传统园林意象精心打造,是一座怀拥自然的美术馆。在近万平方米的具有东方气质的园林中配套有多功能厅、西餐厅、咖啡厅、VIP俱乐部及艺术家驻地计划工作室,展馆面积近一万平方米,主体建筑上下共三层,包括9个展览空间、2个公共休闲空间、1个艺术衍生品空间。红砖美术馆期望通过高质量的系列展览,结合收藏、研究、教育、出版和公共活动,推动中国当代艺术的发展,并参与国际当代艺术家(项目)交流,展开学术领域突出问题和现象研究。

  Nobody Cares - Li Wei Solo Exhibition

  Artist: Li Wei

  Opening: 22nd August 2015 3:00pm

  Exhibition period: 22nd August 2015 – 22nd September 2015

  Organizer: Red Brick Art Museum

  Sponsor: Artaste

  Location: Red Brick Art Museum (Hegezhuang,Cuigezhuang Village , Chaoyang District, Beijing)

  Exhibition Introduction

  Red Brick Art Museum is honored to present Li Wei’s new solo exhibition :" Nobody Cares " opening on the 22nd Aug 2015 at Red Brick Art Museum. The exhibition would be on for one month.

  Li Wei is an avant guard artist who always keeps himself alert and sensitive. To act of questioning is the principle thread of his creative work over the years,through which he examines the cruelty and indifference of humanity. in the work "Chorus" , beneath the heavy make up and gaudy showiness lies only a numbing sense of disconnect and embarrassment. In " ICU " ,the visual display of suffering of the sick and weak evokes an unsettling sense of disturbance and weight, through which the artist reflects upon the meaning of existence, life and death.

  " Nobody Cares " : in this age of social networking,everyone acts as " friends " without the real care needed in the old fashion sense of word. We are both the observer and the participant, watching the world go by nonchalantly from a safe distance. We play our different roles with different strategies. But in fact we don‘t really care.

  " Li Wei would often place himself as somebody else, however, being somebody else is not an easy thing to do, by applying this difficult and clumsy technique, he tries to enact the consciousness of everybody else entirely. His perception of the world also comes from this technique, he believes that the human factor is the root of all problems we face, all the misery and catastrophe, even as we sit down to eat ameal - a function in our everyday life, it is also ridden with desperation. I don’t believe that he feels this way because he lives in a unique land called China, and I too believe this is a problem we all face as human beings.

  I think what’s so interesting about Li Wei, is that whilst creating no obstacles, he would never let go of an opportunity to conduct a test. It is my impression that exhibits a lot of elaborate narrations and descriptions in contemporary art, diffused essays can maybe give the audience a peep into the works of the artists. The language used by Li Wei are mostly unadorned, in his opinion, this is a " collective memory of all human " . " Memory recognize no class distinctions,therefore, they are relatively equal.” In his own view, the reasons behind what he is doing are more interesting than the action itself. " - excerpt from Bernard Vizta

  " In our world today, almost everyone I see is pretending to be someone. Pretense has seeped through every part of our society in various ways. Some pretend to benevolent, some pretend to be spiritual, some pretend to be rebellious youth,some pretend to be sophisticated, this is a way to be esteemed, and perhaps also an appropriate way to survive in this pretentious and shameless world.Anyways, I don't trust the kind of people who is liked by most people. " Li Wei speaks his mind and acts his heart without fear of being judged by anyone. The tittles of his work are latent with doubts and ironies for humanity. For example:" The Hollow man", " Hero "," Confessional ", " Thank God ", or we can say: “ The hollow man hero in the confessional to thank god, but nobody cares.”

  Li Wei

  1981

  Born in Beijing, China

  2007 Graduated from the Third Studio of the Sculpture Department of CAFA, Bachelor’s Degree.

  Now livingand working in Beijing.

  Solo Exhibitions

  2015 Nobody Cares, Red Brick Art Museum, Beijing, China

  2014 Peace,Primo Marella Gallery, Milan, Italy

  2013 Thank God, Gallery Yang, Beijing, China

  Confessional, A2Z Art Gallery, Paris,France

  2011 Hero, Today Art Museum, Beijing,China

  2010 Unpeaceful Christmas Eve - “A Block Of Cake”, Copy Café, Beijing, China

  2009 The Hollow Men, Hanmo Art Gallery, Beijing, China

  Red Brick Art Museum

  The Red Brick Art Museum was founded by the entrepreneurs and collector couple, YAN Shijie and CAO Mei, and officially opened its doors on May 23, 2014. Located in No.1 International Art District in the northeast of Beijing, the Red Brick Art Museum was inspired by traditional Chinese gardens in its architectural design and conception of space. Embracing and cherishing nature. There are a auditorium, a restaurant, a cafe, a VIP club and studios for art residency program in the 10,000 square meters Chinese style garden, including 10,000 square meters of exhibition space. Through the organization of high-quality exhibitions and its involvement in collection, research, education, publication and public activities, the Red Brick Art Museum aims to promote the development of Chinese contemporary art and create an international platform of dialogues and exchange involving international contemporary artists.

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