裂变 - 云峦无尽 Fission - The Endless Clouds

仇德树 Qiu Deshu

178×177cm

宣纸、丙烯、画布 Rice Paper, Acrylics, Canvas

2005-2006

东西方对线性语言差异上的不同认知，使得“弧线”更具有东方的温婉和诗性，而意象的表达则更趋向于东方式的抒情。此作一改仇氏以往的大刀阔斧对山川的营造，借以古法“云头皴”的样式铺满整个画面，细微的打磨痕迹与裂变所产生的线性轨迹相互叠压，将云之律动的节奏推至画幅的高处，简而空灵之感跃然纸上。每一种语言的形成都是在渐进中逐步完善并与之运用。正负形的互为借用，在此时期则成为艺术家反复研究的重要课题。

The different understandings on the linear language between the East and the West make “pitch arc”more Oriental gentle and poetic, and the image expression tends more to oriental lyric. This work is much more different from Qiu's style of landscape constructing , however he uses the ancient skill of “cloud cracks” to cover the whole picture. The subtle grinding traces and the linear traces caused by fission are overlying each other, which pushes the rhythm of the clouds to the height of the frame and the ethereal sense vividly on paper. The formation of each language is in a gradual process, in which the language is gradually improved and used, the mutual borrowing of positive and negative forms has become an important topic for artists to study repeatedly during this period.