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奇石乾坤系列之五

奇石乾坤系列之五

  • 编  号:704376
  • 作  者:梁震明 查看拍卖记录
  • 销售状态:待售(不可在线交易)  
  • 库  存: 1
  • 售  价:议价
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奇石乾坤系列之五

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  • 经营时间:
    24年
  • 展厅面积:
    165平米
  • 地    区:
    台湾
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尺寸 174x87(cm) 创作年代 2018年
作品分类 当代水墨 材质 纸本 题材 风景
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作者信息

梁震明

梁震明

出生年份: 19710924
籍    贯: 台湾-台湾地区

作者介绍

梁震明为国立台北艺术大学美术创作研究所首届毕业生。自幼学画,大三时即获得系展水墨组第一名,并持续以台湾山水做为主要创作题材,硕士毕业后曾在多所大专院校任职,并潜心创作。在个人创作部分,已举办过十次个展,参与国内外联展三十余次,五本着作出版,并连续三年获得台北市文化局创作补助。曾参加「美丽台湾-台湾近现代名家经典作品展(1911-2011)」和「2013第六届成都双年展-台湾脉络」等重要联展,而「第八届深圳国际水墨双年展」,则是唯二受邀之台湾70年代水墨画家。

龙洞系列是梁震明目前最受关注的代表风格,以细笔山水创作结构并融贯东方水墨美感及西方视觉语汇之特点,凭借着真实描写与虚幻色彩,在仿金似银的媒材承载下呈现千秋万载累积的岩语。

Liang Chenming is one of the first graduates from the creative team of the Graduate School of Fine Arts at Taipei National University of the Arts. He started learning painting when he was young. He won the first prize in the Ink Painting Group of the exhibition of his department when he was a junior. Taiwan landscapes have been the main themes of the paintings that Liang has created. While having worked at several colleges after he completed his master's degree, Liang has had a quiet concentrated mind creating paintings. He has held ten solo exhibitions and participated in over 30 joint exhibitions from home and abroad. He has five painting albums published and has been funded by the Department of Cultural Affairs of the Taipei City Government three years in a row. Besides having works displayed in “Beautiful Taiwan - Taiwan Masters of Modern Classics Exhibition (1911-2011)” and “The Sixth Chengdu Biennale – The History of Taiwan,” Liang was invited to participate in “The Eighth Shenzhen International Ink Painting Biennial.” He is one of the two Taiwanese ink painters born in the 1970’s who were invited.

The “Oceanic Scene” series that well represents Liang’s artistic style has attracted wide attention. Using refined brushwork in creating landscape paintings, Liang’s works combine the aesthetic taste of eastern ink art and western visual vocabulary. On a painting fairy plate, (one kind of Japanese painting paper which is made up of layers of paper sticking together, so similar to the thick version), by making a realistic description and using visionary colors, the artist displays a fairy-tale island in the Yellow Sea in Chinese legends and words revealed by rocks throughout thousands of years.

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