徐文恺的机器风景，可以被看作媒体艺术领域在自然融合方面的贡献，其中包含来自分形理论的因素，算法构建的机械装置，如同海浪或生物。艺术家为虚拟模拟和算法进行了物理性延伸，作品的镜面和实际发生的运动所构成的图像，将与观众互动，形成一个不断变化和蔓延的空间。艺术家徐文恺的作品简单直接作用于艺术与科技，并延续他之前作品一贯的科技悖论之线索。

The Robotic Landscape of aaajiao serves as media art’s contribution to our integration with nature. The work is a mechanical installation that operates on fractal algorithms. The organic or wave-like structure of the work can be seen as the physical extension of a virtual simulation and algorithms. The image created by the reflective surface of the robot as it assumes motion generates points of interaction with the audience, forming an ever changing and expanding space. aaajiao’s work acts directly on art and technology, and has persistently engaged various paradoxes within the development of science.