黄静远画中的人物与事物看上去都准备好了,包括包子、椅子和标本。长久地凝视这一刻会让一切变得不自然起来,仿佛自己在和某人对视。是什么促使静远将目光投向了这“时刻准备着”的时刻?更重要的是,在今天谈这个有什么意义?这个时刻的时代不是早已过去了吗?恰恰相反,对她来说,这个时刻的当代性正是问题所在。
Everything seems ready in Huang’s paintings, be it the steamed buns, conference chairs, or taxidermy. To gaze into this moment causes discomfort, as if something is staring back at us. What has driven the artist to focus her gaze upon this moment of readiness that looks back? More importantly, why is this relevant? Have we not already moved beyond this contemporaneity?