高磊的作品多為風景，以自然間接描繪社會，意在用冷靜平和的方式表達對當下所處身的社會的質疑。畫面顏色用紅黃藍等原色調出接近於沒有性格的粉灰色，這種灰色跟藝術家出生的重工業城市的底色是一致的。畫面被分為兩種或幾種看似沒有關聯的有著不同秩序的分層，它們之間相互影響、對抗，使畫面變得支離破碎。中心或重要部分的有意過曝、模糊處理，畫面的碎片化傾向，既是對傳統視覺習慣的顛覆，更是源於對社會現實的真實性、確切性，和對生活的連續性的質疑。

GAO LEI’s works are mostly landscapes. He depicts nature as an indirect reference to the society, which he intends to express his questioning towards the society in a calm and peaceful manner. The use of the light grey colour with no character is a reference to the colour of the heavy industry city where the artist was born. The works are divided into two or more seemingly not related hierarchical order which these layers influenced, fight and fragmented each other. The center of the paintings are intentionally overexposed and blurred to subvert the traditional ways of seeing, as a reflection of the artist’s questioning of social reality, certainty and the continuity of life.