站台中国将于5月24日荣幸呈献艺术家付经岩自2015年以来在北京的全新个展“飞矢无动”，并邀请策展人戴卓群担纲策划。本次展览也是艺术家在站台中国举办的第三次个展，展览将以近三年间创作的系列绘画与材料装置作品为主线，呈现出付经岩在其自身创作脉络上的推进与探索。

付经岩的创作实践往往充满西绪弗斯式的反复与重置，借助于图像与材料做为载体所附加的隐喻，艺术家将若干看似无甚意义的形象及其关联选项衍生繁殖，将图像的元素尽情地分裂，并且让它们不断复制与变异。穿过身体的光芒，四十五度角的彩色条纹，貌似随意截取的图像与形象，隐匿的细节，生楞的风景、人物与静物，秩序与混沌。艺术家的方式并不在于探寻隐藏在混沌之后的秩序，而是探寻混沌自身的形式和可能，探寻无意识散射的歧感与偶然性规则。

此次展出的装置作品“等待下一次震动”，付经岩将观众抛入到著名的“飞矢无动”这一哲学悖论中，一支射出的箭，是动的，还是不动的？一个物体，倒转了方位，还是那个物体吗？­

真实是由幻象所涵载的，做为被凝视的客体，当它成为一个结果和对象时，其便已经被合法化了，所有的偶然性缘起与过程中的岐途变成了最终后置的意义。在这里，做为作品的它，却并不再是偶然的，从结果导向原因，过去被重置了。时间被抽离，成为一种实存本身的形式，飞矢无动，刹那即永恒，过去和未来尽皆存续于当下时刻，隐含于图像、材料、物体表面所不可见的内在眼光与观念磋商。

Platform China is pleased to present ARROW PARADOX – Fu Jingyan Solo Exhibition on 24th May in Beijing. The exhibition follows a series of paintings and installation works created by Fu in the past three years, from which the artist’s advancement and exploration in his own creative context is reflected. It is Fu’s third solo exhibition organized by Platform China since 2015, and this time we’ve invited curator Dai Zhuoqun for its presence.

Fu's creative practice is often filled with Sisyphus-styled repetitions and resettings. With the help of implied meanings carried by images and materials, the artist splits images into as many elements as possible and allows those seemingly meaningless figures and relevant items to replicate and mutate. Rays of light that penetrate the body, color stripes posing at a 45 degree angle -- it seems that such pictures and images are randomly cut out, with hidden details, disharmonious landscape, an integration of people and still life, and a combination of order and chaos. Artist do not explore order hidden under chaos，while study the form and potential of chaos itself, as well as thedissensus and accidental rules revealed unconsciously.

“Waiting for Next Shock” is an installation work at the exhibition, which brings the audience into the classical philosophical view of "arrow paradox". Is a flying arrow moving or motionless? If an object reverses its position, is it still that object?

Truth is embodied in illusion. It is justified when being contemplated as an object and sought for as a result, thus all the occasional causes and detours during the process turn into attached meanings in the end. Existing in the form of art pieces, it is not occasional anymore. The past is reset when the origin is interpreted in view of the result. Time is drawn away, leaving pure existence. A flying arrow is motionless rest because the current instant constitutes eternity. Both past and future exist and continue in the present moment and are hidden in internal perceptions and idea exchanges that are unseen on the surface of images, materials and objects.