裂变 - 魄光  Fission - The Light of Spirit

仇德树 Qiu Deshu

180.5×345.5cm

宣纸、丙烯、画布 Rice Paper, Acrylics, Canvas

2006-2007

其为云耶？其为山耶？仇德树此幅画作令人心潮起伏、浮想联翩，既象岿然挺峙的山，又似空灵飘忽的浮云。其光辉是从云霄之上播散而下呢？还是源自于山水之中？

裂痕通过纸的撕裂和纸的肌理制作，以一种非人工笔法的、带有偶发的“皴法”。这种操作，大大拓宽了个人笔法的形式疆界，大大拓宽了作品的尺度。那仇德树的撕裂法是融合偶发的个性化肌理。它与波拉克的行动绘画颇有相似之处，都是去笔作画，创造个性化的偶发效果。都是跟着感觉层层叠加。在仇德树那里，这种层层叠加的肌理变化与作品的浑厚、厚重通过托裱操作来完成。

Is it a picture of clouds, or of mountains? The view is both like the standing mountains and the roving clouds, making spectators so exciting and imaginative, is its brilliance spreading from above the clouds or from the landscape?

The cracks are made by paper’s texture and through the way of tearing paper, it is not artificial drawing, but a kind of occasional texturing method, which greatly broadens the form of personal brushwork as well as the scale of works. Thus Qiu Deshu’s tearing method has integrated into the occasional personalized texture,which is quite similar to Paul Jackson Pollock’s Action Painting, both painting without brushes, but creating personalized occasional effects and overprinting following the feelings. In Qiu Deshu’s works, the layers of texture changes and the massiness are completed by picture mounting.