黄琦
武中奇
测试用艺术
- 资质：
- 评分：
1分 2分 3分 4分 5分 6分 7分 8分 9分 10分 0分
- 印象：
- 经营时间：15年
- 展厅面积：
- 地 区：上海-普陀-莫干山路M50艺术区
Mirta Morigi 在艺搜查询
| 出生年份： | 1960 |
|---|---|
| 籍 贯： | |
艺术简介
摩妲‧莫里基（意大利）
摩妲‧莫里基居住和创作在意大利的法恩札市。法恩札这个名字定义了陶瓷艺术，也是很多陶器杰作的诞生地。
摩妲的陶艺作品描述了过去、将来和工作室之间的愉悦，是一个经验的十字路口，和一个新想法的发电所，现在俨然已经成为欧洲新艺术工作室的典范。
摩妲作品的颜色总是非常明亮、简单和浓郁，随性而无掩饰。另一方面，摩妲雕塑作品的灵感，来自于自然界的爬虫类和两栖类动物：蜥蜴、变色龙、壁虎、弯曲的树蛙（其实是一个把手），或者是麻烦又骄傲的史前生物‧‧‧‧站在碗的边缘，并且不时眨眼。它为什么不微笑呢？‧‧‧‧明亮、简单和浓郁的色彩－它就是龙。
Mirta Morigi (Italy)
Mirta Morigi lives and works in Faenza, the city that with its name has defined a genre and that has given birth to many ceramic masterpieces.
Mirta’s ceramics have always represented a happy synthesis between past and future and her workshop, a crossroad of experiences and a powerhouse of new ideas, is now a European model of new art workshop.
The colours tend to always be very bright and pure, dense, without resorting to mediations or shades. On the other hand, for the sculpture compositions Mirta has taken inspiration from a particular naturalistic menagerie with preference for reptiles and amphibians: lizards, chameleons, geckos, and tree frogs that become bends, true handles, or climb troubled shapes with the pride of prehistoric creatures… Or appear from the edge of a bowl and wink. And, why not, smile… The colours tend to be very bright, pure and dense… And last comes the dragon.
摩妲‧莫里基居住和创作在意大利的法恩札市。法恩札这个名字定义了陶瓷艺术，也是很多陶器杰作的诞生地。
摩妲的陶艺作品描述了过去、将来和工作室之间的愉悦，是一个经验的十字路口，和一个新想法的发电所，现在俨然已经成为欧洲新艺术工作室的典范。
摩妲作品的颜色总是非常明亮、简单和浓郁，随性而无掩饰。另一方面，摩妲雕塑作品的灵感，来自于自然界的爬虫类和两栖类动物：蜥蜴、变色龙、壁虎、弯曲的树蛙（其实是一个把手），或者是麻烦又骄傲的史前生物‧‧‧‧站在碗的边缘，并且不时眨眼。它为什么不微笑呢？‧‧‧‧明亮、简单和浓郁的色彩－它就是龙。
Mirta Morigi (Italy)
Mirta Morigi lives and works in Faenza, the city that with its name has defined a genre and that has given birth to many ceramic masterpieces.
Mirta’s ceramics have always represented a happy synthesis between past and future and her workshop, a crossroad of experiences and a powerhouse of new ideas, is now a European model of new art workshop.
The colours tend to always be very bright and pure, dense, without resorting to mediations or shades. On the other hand, for the sculpture compositions Mirta has taken inspiration from a particular naturalistic menagerie with preference for reptiles and amphibians: lizards, chameleons, geckos, and tree frogs that become bends, true handles, or climb troubled shapes with the pride of prehistoric creatures… Or appear from the edge of a bowl and wink. And, why not, smile… The colours tend to be very bright, pure and dense… And last comes the dragon.
