此壶采用原矿菜茄泥制作而成，色泽艳而不俗。作品壶身和壶盖则由桑叶为形，叶尖翘起为壶嘴，壶盖为一侧反的桑叶，一凹一凸，错落有致。壶上有一挪动的蚕虫，抬头远望，壶面上则有两幼蚕虫，颜色比壶盖上的大蚕虫偏黄，饱餐后似乎在酣息。壶面上还有一桑果陪衬，妙趣横生。壶把则为一分叉的桑枝，做工细腻。作品充满田园情趣，加上绿叶，黄蚕和紫桑的搭配，给人赏心悦目之感。
本壶为蒋美珍近期的新作品，无论在是造型和技巧上都有了新的突破。近两年，蒋美珍的作品在市场大受好评，受到藏家们的青睐。无论以收藏还是投资的角度购买蒋的作品都是不错的选择。This is a very sweet little teapot, which was originally conceived by by Xie Man Lun, a famous teapot artist in the post-Qing Dynasty era of the 20th century. Jiang has made a very precise copy of that original. The body, made of green clay, is composed of mulberry leaves, the traditional food of the silkworm, as is the lid. If you look closely at the edge where the top leaf meets the bottom, you will also notice a very delicate pattern, like the jagged edge of a real mulberry leaf. Two silkworms make their way across the top of the body, and as another, on the lid, stretches up to scan the horizon, he becomes the lid-pull.