在《谁是最幸运的人》（2005 年）这件作品中，艺术家质询了谁从当今
中国经济发展中获益的人们，谁又被远远抛下。就像该系列中的其他摄影
作品一样，他在曝光过程中使用闪光灯，直接在胶片上书写上词藻华丽的
句子，为作品增添了观念的背景。他作品中这种富有煽动性、往往另类的
手法，使得邱志杰成为当今中国最受欢迎的艺术家之一。

Here, in the work“ Who was the luckiest” (2005), the artist asks
who benefits from today’s growing development of the Chinese
economy and who is left behind. Like the other photographs in
this series, he takes the photographs with a low shutter speed
and, while the film is being exposed, uses a flashlight to write
rhetorical sentences directly on the film, adding conceptual
context to the work. This kind of provocative and alternative
approach to working has made Qui Zhijie one of today’s most
sought after artists in China.